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SHIFT TABLE Handmade by Toby Winteringham
MARQUETRY IN DYED VENEERS & SYCAMORE // 45 x 120 x 50 cm
As seen in Vogue September 2010, Elle Dec September 2010, Wallpaper September 2010

Image via Wikipedia
Gord Peteran’s Musical Box, commissioned by the Glenn Gould Foundation for its Glenn Gould Prize in 1996, is a machine for testing sounds. Its mechanisms are each operated by a brass and ebony knob. One internal device is a globe containing smooth rocks from the bottom of a fish tank, which swish together when the globe is turned. There is a crude xylophone, an even cruder geared music box, a contraption consisting of different lengths of metal rod that strike a piece of plastic when they are rotated, and a reed sounded by a homemade bellows. Turn another knob, and a single string is plucked by a Fender guitar pick. The box does for music what Peteran’s work normally does for furniture—isolating the medium’s basic premises and freezing them in a state of arrested development.
Style: Custom Design
Type: Cabinet-on-Stand
Materials: Purpleheart, Walnut, Ash, Finish Unknown
Photo: David Ryan

A sculptural object (seat)
Fumed oak
Professor Michael Elmitt, RCA, joined the University of Waterloo School of Architecture in 1971. Following a distinguished career as a designer in the UK, Michael’s work has been well documented in numerous design journals. As a Design Consultant, his work in the UK included concepts for the automobile, shipping and aircraft industry, as well as producing furniture for exhibition in the UK.
Since coming to Canada, his work has gained considerable recognition and includes architectural concepts, furniture, exhibition, graphics and small boat design. He has also curated the work of other notable artists and designers in Canada and continues to exhibit his own work